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09/10.05.2015BARCELONA | SPAIN
SOUND EDITING WORKSHOP WITH EDDY JOSEPH

ABOUT EDDY JOSEPH Eddy Joseph is without a doubt on of the most successful Sound Editors of our time Eddy Joseph has been in the Film Industry for over 40 years and a Sound Editor for 30. He has collaborated with such directing luminaries as Alan Parker, Bernardo Bertolucci, Louis Malle, Jean-Jacques Annaud, Neil Jordan and Anthony Minghella. His credits include “Pink Floyd The Wall”, “Angel Heart”, “Batman”, “The Commitments”, “The Crying Game”, “Little Buddha”, “Interview with the Vampire”, “Evita”, “Enemy at the Gates”, “Harry Potter and the Philosopher’s Stone”, “Cold Mountain”, “Corpse Bride”, “United 93″, “Casino Royale” and “Quantum of Solace”. He has received 2 BAFTA Awards and 6 further Nominations and 16 MPSE Nominations. Full list of credits on www.imdb.com/name/nm0430577/ Eddy Joseph experience speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB. WORKSHOP DESCRIPTION The Sound Editing workshop will focus on a diversity of topics of the art of Editing the sound of a film, you will have the chance of not only receive this knowledge from Eddy Joseph, but also interact in a very strong way, as the group will have up to 25 participants, making it extremely practical and interactive. You will also have the opportunity to assess the issues you encountered on your own work and the projects you have worked on or will work, and receiving the feedback to unblock situations in the future. Session 1 THE ESSENCE OF THE CRAFT Film History is your friend. Developing a hinterland Auteur versus Sound Editor – the realities of the business. DIY - low budget approaches Understanding your abilities PRE-PRODUCTION Aesthetic overview – the sound of the story Crewing up Storyboarding before track laying How to work with: Editors Producers Directors Planning for Digital VFX Session 2 POST PRODUCTION Working with the editor Digital VFX in post Guide music Working with a composer Track Laying Temp Mixing Test screenings ADR Foley Sound Design Premixing The final sound mix Home Cinema Premiere PROFILE OF PARTICIPANT The workshop designed for, Sound Editors, Directors, Sound Mixers, Film Students, or anyone interested in entering the Film Business on the area of Sound. LOCATION OF THE WORKSHOP ECIB Escola de Cinema de Barcelona 16 hours Duration: 2 days Dates: 9th and 10th May 2015 Location: Barcelona Price: 449EUR (359EUR discount of 20% Until 24th of April) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions Conditions

09/10.05.2015BARCELONA | SPAIN
EDITING WORKSHOP

This workshop is organized in partnership with ECIB Barcelona

ABOUT TARIQ ANWAR

Tariq Anwar is an Indian born British editor that in the last 30 years built up an impressive career that led him to no less than two Oscar Nominations, two BAFTA prizes and one European film award. We can safely say Tariq Anwar is one of the greatest film editors in activity. He started out in television in the editing department of the legendary Dr. Who series in the seventies. Since then he achieved some of his highest moments working alongside Sam Mendes in films such as American Beauty (where his amazing edit awarded with an Oscar Nomination) and Revolutionary Road. Tariq is well known for his great work in Tom Hooper´s The Kings Speech (where he was awarded with an Oscar Nomination) , Nicholas Hytner´s Madness of King George, Robert De Niro´sThe Good Shepperd and Franco Zefirelli´s Tea with Mussolini. Tariq has more than 65 editing credits, such as “The Crucible” by Nicholas Hyter starring Daniel Day-Lewis and Winona Rider, Under Suspicion starring Liam Neeson, Ian Softly’s “The Wings of Dove” and “The Object of My Affection”, Jessica Lange “Cousin Bette”, “Focus” with William H Macy and Laura Dern, Christine Jeffs “Sylvia” with Gwyneth Paltrow and Daniel Craig, F Gary Gray’s “Law Abiding Citizen” with Gerard Butler and Jamie Foxx. Most recently he achieved great success in Mike Newell´s Great Expectations. Anwar´s filmography speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB. SCHEDULE AND WORKSHOP DESCRIPTION

It is important to note that this will not be a workshop to teach you edit with any specific software, but instead it will enhance your capacity to edit in your mind, before you actually use your tool. It is about your decision, your choices and your options as an editor. Saturday Introduction of the participants and Tariq, the participants will then be showed some clips of the work made by Tariq , analyzing some choices and options made in some of his works, generally sharing experiences of editing in the industry. Topics include the following: Focus on how to help the story flow through the editing, and best processes. How to serve the narrative through effective editing. How to employ narrative techniques to create tension. How to edit your characters/ actors and performance (practical examples of problem solving and good decisions) How to apply the craft in different genres. The impact of genre on editing styles Influence of great films, film history to help work. ( musicals, horror, thriller, shakespeare, study ) Sunday Technical aspects of the job - looking at recent project showing workflow. Low budget, high budget? How to work with sound, music and special effects. Practical exercise. The participants will be given footage (a small scene) to work two weeks before the workshop, all participants will show their work at the workshop, the group will then analyze each editing, and learn from each other’s work. Tariq will give his insight on each edited version of the footage. The participants should at the end be self-conscious of their editing choices, as well as aware of the other options taken by the other participants. The relationship with the Director, DOP, Producer and other members of the film crew. How to be a part of the whole process of film and television production and not merely as the final stage, becoming collaborators, not just efficient technicians. The market reality for Editors, Agents, Rates, and finding your own work PROFILE OF PARTICIPANT

The workshop designed for Editors, Directors, Sound Editors, Film Students, or anyone interested in entering the Film Business on the area of Editing WORKSHOP LOCATION

ECIB C/ Girona, 54, 08009 Barcelona Spain 16 hours Duration: 2 days Dates: 9-10 May 2015 Location: BECIB C/ Girona, 54, 08009 Barcelona Spain Price: 449 EUR (359 Until 30th April) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions REGISTER FOR THIS WORKSHOP ON THE LINK BELOW:
23/24.05.2015LONDON / UNITED KINGDOM
FILM DIRECTING WORKSHOP WITH PETER WEBBER

ABOUT PETER WEBBER PETER WEBBER is one of the most interesting British Film Directors in activity. Girl with a Pearl Earring, starring Scarlett Johansson and Colin Firth, marked Webber’s feature film debut in a most impressive way. The film has received numerous accolades including 3 Academy Award Nominations, 2 Golden Globe Nominations, 10 BAFTA Award Nominations and many others. Webber was then tapped by Dino de Laurentis to direct “Hannibal Rising”. Based on Thomas Harris’ upcoming new book of the same name, and starring Gaspard Ulliel, Li Gong and Anthony Hopkins, Peter has recently releases a new Feature Film “Emperor”, Starring Tommy Lee Jones, and Mathew Fox. Peter Webber started his career with his short film, The Zebra Man, straight out of film school a film about sideshow performer Horace Ridler starring Minnie Driver. He then worked as a film editor, beginning his association with Girl with a Pearl Earring producers Andy Paterson and Anand Tucker on Tucker’s drama debut, Saint-Ex, starring Miranda Richardson and Bruno Ganz. Peter Webers experience speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB. WORKSHOP DESCRIPTION The Film Directing workshop will focus on a diversity of topics of the art of directing a film, you will have the chance of not only receive this knowledge from Peter Webber, but also interact in a very strong way, as the group will have up to 25 participants, making it extremely practical and interactive. You will also have the opportunity to assess the issues you encountered on your films, and receiving the feedback to unblock situations in the future. The topics covered on the workshop will be: THE ESSENCE OF THE CRAFT Film History is your friend. Developing a hinterland Auteur versus Industry – the realities of the business. DIY - low budget approaches The writer/director conundrum The genius myth Understanding your abilities GETTING THERE Looking at the steps before you go into production The development process Raising finance Producers and writers Hollywood versus Europe Agents/managers/lawyers The One Hour Meeting PREPPING Aesthetic overview – the look and the story Crewing up Casting and auditioning Location hunting Rehearsing/working with actors before the shoot Storyboarding How to work with: Art department Costume Camera Assistant directors Planning for Digital VFX SHOOTING The politics – picking your battles The fear Planning your day Blocking the scene Shotlists Storyboards on set Shooting strategy Blocking the scene The Master shot trap The second unit POST PRODUCTION Working with an editor Digital VFX in post Guide music Working with a composer Test screenings ADR Sound Design Grading The final sound mix Test screenings INTO THE WORLD Film Festivals The Press The Internet and Social Media WORKSHOP LOCATION London UK PROFILE OF PARTICIPANT The workshop designed for Directors, Film Students, or anyone serious about a career in the Film Business on the area of Directing. 16 hours Duration: 2 days Dates: 23-24 May 2015 Location: London UK Price: 399GBP (339GBP Until 5th April) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions

10/11.04.2015Abu Dhabi UAE
FILM PRODUCERS WORKSHOP. LAST PLACES

This workshop is organized in partnership with NYU Abu Dhabi

ABOUT GARETH WILEY

Gareth has been working as a film producer & executive producer for over a decade. Since 2004, he has produced independent feature films with budgets totalling over $100 million including four with Woody Allen. Having persuaded the New Yorker to move his 2004 movie to London the collaboration grew until in January 2009 he won a Best Picture Golden Globe for Woody’s “Vicky Cristina Barcelona”. This was Gareth’s second Golden Globe nomination in four years, having been previously nominated in 2006 for his first collaboration with Woody Allen, “Match Point”. In 2013, Gareth launched a new online film finance tool, www.screenadvantage.com. This online application makes all Gareth’s proprietary film financing modelling tools available to the industry as a whole and has been widely praised. Users now include Oscar® & Golden Globe® winning producers and film students alike. Affordable and sophisticated, but easy to use, ScreenAdvantage® allows producers to present professional finance plans and allows financiers to understand at a glance the structure being proposed. Prior to moving into film full time, Gareth enjoyed fifteen years working in international banking and finance with some of the world’s leading banking institutions, including, Salomon Brothers & UBS Warburg. Gareth studied Business with Economics & Law, before starting his working life as a banker in February 1985. A fascination with the creative process resulted in an involvement in film finance and production as early as 1993. Prior to working with Woody Allen, he maintained a career in investment banking (working in London, Hong Kong and the United States) in parallel with an increasing involvement in film production and finance. In 2002 committed himself to working exclusively in film and other creative businesses (including setting up a Grammy nominated classic record label). WORKSHOP DESCRIPTION

The Film Producer Workshop with Gareth Wiley will focus on a diversity of topics of the art of production of a film, you will have the chance of not only receive this knowledge from Gareth Wiley, but also interact in a very strong way, as the group will have up to 25 participants, making it extremely practical and interactive. You will also have the opportunity to assess the issues you encountered on your own work and the projects you have worked on or will work, and receiving the feedback to unblock situations in the future. DAY 1 THE CHRONOLOGY OF THE DEVELOPMENT PROCESS AND THE ROLE OF THE PRODUCER • Project scouting and script analysis, the producer’s role in the choice of projects • Reading, researching and assessing ideas and finished scripts • Commissioning writers or securing the rights to novels, plays or screenplays • Hiring key staff, including a director and a crew • Managing creativity/creative management • Writing a good synopsis and business plan • Making and maintaining your contacts • Supervising the progress of the project from development to post production HOW THE MONEY WORKS • The film value chain • Structure of a business plan • Preparing sales estimates and income streams • Financing Strategies. Accessing funds: Public (regional national, pan-national); Private. • Tax-efficient finance vehicles; Enterprise Investment Schemes • Targeting investors • Liaising and discussing projects with financial backers • Profit participation • Co-productions • Key negotiation points explained • Making and maintaining your contacts • Supervising the progress of the project from development to post production DAY 2 Into the world • How sales agents work • The role of film markets New tools • Using software packages to help your work as a producer PROFILE OF PARTICIPANT

The workshop designed for, Film Producers, Film Financiers, Film Investors, Directors, Film Students, or anyone interested in entering the Film Business on the area of Film Production. WORKSHOP LOCATION

NYU Abu Dhabi, Saadiyat Marina District - Abu Dhabi - United Arab Emirates 16 hours Duration: 2 days Dates: 10th to 11th of April Location: Abu Dhabi UAE Price: 625USD, (469USD discount of 25% until 8th April) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions
21/22.03.2015LONDON / UNITED KINGDOM
MUSIC COMPOSING FOR FILM

LAST PLACES

ABOUT ALEX HEFFES

Alex Heffes was born in the UK. He had an unorthodox education at a small specialist music school in London where he was immersed in music every day from an early age. After graduating from Oxford with a first-class degree he first worked as an arranger, then writer on projects covering the musical spectrum from steel band to symphony orchestra with artists such as Elton John and members of Blur. It was his scores to Kevin Macdonald's Academy Award-winning films ONE DAY IN SEPTEMBER, THE LAST KING OF SCOTLAND and BAFTA-winning TOUCHING THE VOID that brought him to international attention. His reputation as a composer who is truly at home with the orchestra as well as electronics has given him a unique and unusually varied output. He received his first BAFTA nomination for his score to the HBO drama TSUNAMI: THE AFTERMATH and has gone on to score across an incredible variety of genres including Charles Ferguson's Academy Award-winning INSIDE JOB, the US No.1 box office movie THE RITE starring Anthony Hopkins, Catherine Hardwicke's fantasy thriller RED RIDING HOOD, Peter Webber’s World War II drama EMPEROR starring Tommy Lee Jones and ESCAPE PLAN starring Silvester Stallone and Arnold Schwarzenegger. He collaborated with director Tim Burton on his screen adaptation of SWEENEY TODD starring Johnny Depp and Helena Bonham Carter. His score to STATE OF PLAY starring Russell Crowe and Ben Affleck featured a collaboration with classic British rock producer Flood and during the scoring of THE LAST KING OF SCOTLAND Alex traveled to Uganda to record and produce many of the bands featured on the soundtrack. His score to the short film BOY was featured at the opening ceremony of the Olympic velodrome at the 2012 London Olympics. Alex’s score to MANDELA: THE LONG WALK TO FREEDOM features vocals from South African legend Caiphus Semenya. His scores have met wide critical acclaim. The Los Angeles Daily news said of THE LAST KING OF SCOTLAND it has “the best and weirdest soundtrack I've heard all year” while his score to EMPEROR was described as “phenomenal, recalling the days of Patton, or Tora! Tora! Tora! by Jerry Goldsmith” (Presspass LA), “stunningly beautiful yet strikingly simple” (Film Music Media) and “an epic score brilliantly mastered by Heffes” (JMH Digital). His solo album project FACE TO FACE featured collaborations with artists such as Ryuichi Sakamoto, Regina Spektor and Matthew Barley. His music has appeared in concert performed by the City of Birmingham Symphony Orchestra, the Brussels Philharmonic, the Oman Symphony Orchestra and at the London Jazz Festival. In 2013 Alex's score to Mandela: Long Walk to Freedom was nominated for a Golden Globe. Other scores scores have been nominated for BAFTA, Ivor Novello, European Film Academy, NAACP, Black Reel and ASCAP awards. In 2011 he was awarded discovery of the year by the World Soundtrack Academy and in 2012 was awarded best film score of the year at the Ivor Novello Awards in London. Workshop Description:

The Music Composing for Film workshop will focus on a diversity of topics of the art of composing music for a film, you will have the chance of not only receive this knowledge from Alex Heffes, but also interact in a very strong way, as the group will have up to 25 participants, making it extremely practical and interactive. You will also have the opportunity to assess the issues you encountered on your work, and receiving the feedback to unblock situations in the future. The topics covered on the workshop will be: HOW DO I BECOME A FILM COMPOSER? Introduction to Alex and his work. Introduction to the course students and their work/experiences and goals. Practical questions vs creative ones Practical questions: How do I get into the business? Do I need to learn it at college? The classic catch 22 - "I know I can do it but how do I get work when I have nothing to show yet?" Creative questions: What sort of composer are you? How do you know what your voice is before you've had a chance to write? Do you need your own voice? BEING A FILM COMPOSER - WHAT DOES THAT ACTUALLY MEAN? How I've done it. Does this have any relevance to anyone else's career path? WHY ARE YOU NOT TALKING ABOUT WRITING MUSIC? ARE WE EVER GOING TO GET ON TO THIS? Is the music you write the most important part of your job? Which is more useful - studying film scores or classical music? Coming back to developing your own voice... Is this important or not? Practical examples: Alex will show a few examples. Each course member will bring one cue to play which represents them best. Trends in film scoring. How this affects how you write. Should be take any notice of fashion? Examples. The important stuff: Working with directors Working with producers Working with directors and producers who don't agree with each other. Your team: Contractors Orchestrators Programmers Copying Other backup Boring stuff: Money Agents Publishing & copyright Giving away your rights for opportunities and working for free. Conclusion: Spoiler alert! It's not how good you are but how good you want to be. Maybe! You probably know more about this than you think. Trust yourself. Be lucky. Make your own luck. Work hard. Be good. Be generous. Be better than you thought you could be. Be patient. But Don't wait for it to come to you. Being a composer isn't really a career choice. You don't pick it. It's chooses you. There is no escape. If you tick these boxes you already are a composer. The rest is just working out the details. Profile of Participant

The workshop designed for Film Composers, Film Directors, Sound Editors, Film Students, or anyone interested in entering the Film Business on the area of Music Composing for Film. 16 hours Duration: 2 days Dates: 21.22 March 2015 Location: London UK Price: 399GBP (319GBP discount of 20% Until 17th March) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions